The number five is also in the very structure of the poem. Sir Gawain is 101 stanzas long, traditionally organized into four « Fits » of 21, 24, 34 and 22 stanzas. But these divisions are now being challenged; Scholars began to believe that they were the work of the copyist and not the poet. The received manuscript contains a series of capital letters that were added after the act by another scribe, and some scholars argue that these additions were an attempt to restore the original divisions. These letters divide the manuscript into nine parts. The first and last part are 22 stanzas long. The second and penultimate parts are only one verse long, and the five middle parts are 11 stanzas. The number eleven is associated with transgression in the other medieval literature (one of more than ten, a figure related to the Ten Commandments). Thus, this sentence of five elves (55 stanzas) creates the perfect mixture of transgressions and inferiority, suggesting that Gawain is flawless in his flaws.  Laughing, the Green Knight Gawain declares that he is in fact the same lord of the castle where Gawain holidayed. The first two blows, he claims, were returned in Gawain`s way to his wife`s kisses, according to the rules of their game as an honest man.
The third blow, he said, was for Gawain`s failure to return the green belt on the last day. But because Gawain failed, because he wanted to save his life, not because he is disgraced, the Green Knight forgives him. He leaves Gawain only with a scar and a belt in remembrance of his very human sin. In 1992, Simon Corble created an adaptation with medieval songs and music for The Midsommer Actors` Company.  performed in the summer of 1992 as Walkabout productions at Thurstaston Common and Beeston Castle and in August 1995 at Brimham Rocks, North Yorkshire.  Corble then wrote a significantly revised version produced in February 2014 at the O`Reilly Theatre in Oxford.   As the date approaches, Sir Gawain sets out to find the Green Chapel and keep his side of the bargain. Many adventures and battles are insinuated (but not described) until Gawain meets a magnificent castle where he meets the lord of the castle and his beautiful wife, delighted to have a renowned guest. There is also an old and ugly lady, unnamed, but treated by everyone with great honor.
Gawain tells them about his New Year`s appointment at the Green Chapel and that he only has a few days left. The Lord laughs and explains that there is a way to take him there, less than three miles away, and suggests that Gawain rests on the castle by then. Relieved and grateful, Gawain agrees. He was a serious and pious man of mind, but not without humour; he had an interest in theology, and some knowledge of it, although an amateur acquaintance perhaps, instead of a professional; he had Latin and French and read quite well in French books, both romantic and informative; but his house was in the West Midlands of England; as long as his tongue shows, and its meters, and its landscape.  The first known story that shows a beheading game is the story of Bricriu`s Feast from the 8th century. This story coincides with Gawain in that Cé Chulainn`s antagonist, like the Green Knight, makes three axe blows before letting his target go uninjured.